So, Tarzan is streaming on Netflix, and my FB feed has been running amok. I do not have fond memories of this movie as a child because I was just too old for Disney movies by the time this one rolled around. I think at some point I watched it, though, I honestly couldn’t remember anything at all about the film.
Of course, this means that the best way to procrastinate on Secrets is by rewatching this Disney classic.
I could waste my time with a critical analysis of Tarzan, but I won’t. It’s a rather lackluster movie with loads of pacing problems, and generally a bad model for any movie analysis. But, I will talk about biggest problem with the movie, and that’s character motivation.
Characters drive stories. Characters want or need things, and to get those things, they must overcome a series of obstacles. This is the basis of any story. Except, it seems Tarzan.
Tarzan himself has a clear motivation. He wants to belong. He is conflicted because where he wants to be, needs to be, and is are all different. His level of acceptance between gorillas and humans fluctuates driving the main conflicts throughout the movie. This doesn’t sound too bad, right?
Tarzan may motivate the film, but just barely. His first conflict, he wants to prove himself to the gorillas, is resolved at the end of act 1 when he slays the jaguar, Sabor (huh, that thing had a name). So… no more conflict. Well, let’s introduce Jane, her father, and Clayton. New characters! But, not really any new conflict.
Tarzan longs for Jane, and in a slowly meandering way, realizes he wants to be with his own kind. Act 2 ends with Tarzan choosing Jane and company over his gorilla family. Kala, gorilla mom, makes him choose, but that is a particularly foggy scene and we’ll just leave it at that.
So! Where does that leave the last 30 minutes of movie? Floundering for a resolution. While Tarzan’s motivation drives the story, it’s often quickly resolved and therefore doesn’t actually drive enough conflict.
Why is that? Because conflict is compounded because two people have conflicting motivations. This is why we have villains/antagonists. One character wants one thing, and another character wants something else. Look at Aladdin. Aladdin wants Jasmine because he loves her. Jarfar wants to rule the kingdom. How do their paths meet? Jafar can only become ruler by marrying Jasmine or using the magic lamp. Now, the two characters are in direct conflict, and it becomes the driving force of the film.
Tarzan’s motivation conflicts with, well, no one. There is nothing keeping Tarzan back. In fact, it’s so lacking conflict, the 3rd act is nothing but adding a new conflict so that the film can drag out and reach the conclusion it wanted to make. And not only is no one’s motivation is in conflict with Tarzan, fuck it if I know what the entire supporting cast’s motivation is.
The only characters given any hint at motivation are the Porters and Kala. Jane and her father have a one liner about being there to study the gorillas. Why? No clue. It’s not even implied in the movie. Is there work important? Dunno. Is it just for fun? Probably. Is it Mr. Porter’s dream to be the leading expert on Gorillas? No fucking clue. Why did Jane come along? Your guess is as good as mine.
Kala, at least, has some legitimate motive. The brutal murder of her baby leads her to adopting Tarzan. She wants to be a mother. She wants to replace her murdered son, so she adopts a human baby, because that’s healthy. And after the first fifteen minutes, her motives and character are irrelevant.
The rest of the cast? Who the fucks knows what they want. Turk? Uh, yeah, what the hell does Turk want or do besides help/hinder Tarzan? She’s a plot device, not a character. I’m not even going to mention the elephant.
Kerchak! He’s doing something right? He wants… give me a moment here… to protect the gorillas? Uh…maybe? From what I’m not entirely sure…
Then there’s my favorite void of motivation: our villain. Clayton is clearly up to no good the minute we meet him. He is the only asshole carrying a gun and shooting randomly. (He also evilly drinks wine! Tarzan sets his down without a sip.) A big surprise reveals that he’s after the gorillas? To capture them I think? (This is all implied because he doesn’t say want he wants, nor does anyone else say what he wants.) Why is he after the gorillas? Fuck if I know. I can’t tell if it’s greed, or pride, or because he’s a vicious sociopath with enough money to hire a army of poachers. He’s clever enough to deceive the heroes (but not the audience) the whole damn movie, but, we never know why. What a waste of a villain.
But someone does develop some motive throughout the film – our lovely lady hero, Jane. Her initial motivation is tacked on with her father’s one liner to “see the gorillas.” She kinda sees them when Tarzan brings her back to camp and they trash the place, so, why the hell does she stay? She should be fulfilled. As far as I can tell, it’s because she seriously wants to bang Tarzan.
Yup. Sex. Additionally, her lack of non-hormonal motive actually undermines the entire film. At the end, she chooses to stay with Tarzan. But, the whole point of the movie was something like, you can take the man out of the jungle but you can’t take the jungle out of the man? Tarzan can’t return to civilzation because, well, he’s a weird ape man. However, it seems that Jane and her father can just toss everything away and stay in the jungle. (Why did they need to return to England in the first place if they can just flippantly cast aside their lives and live in the jungle? Then the whole, shady third act could have been avoid.)
The unclear motivations of practically every other character in the story certainly hinders the plot. A complexity that makes a lasting story is lost. We don’t know why anyone does anything. Nor do we care. What brought these strangers to the jungle? The movie tries to play if off as unimportant, but it is important. How can Clayton’s betrayal resound if we never knew what he wanted in the first place? How are we suppose to care about Jane if we know nothing about her, other than she clearly wants to bang Tarzan? Or even the importance of giving up her life in England to stay with him? How are we, like Tarzan, suppose to come to love her? To be tempted by the human ways or gorilla ways?
I don’t know. But I do know, that I don’t want the audience of Secrets asking the same questions. Guess that means I need to get back to work.